Preparing for Travel
House guests kept my pretty busy during President's day weekend, so not much time for blogging until now. It has snowed off and on here for the past few days, but nothing really lingers too long. The Key West trip coming up this weekend is seeming even sweeter as I look out my window and see yesterday's cold weather remnants on the ground. All I ask is to just keep the roads and airplane wings clear of ice until I can get down south!
Today I am playing with some art supplies so that I can determine what to bring with me down to Key West. If I had no limitations I would just bring my oils and easel, because in my opinion there is just nothing like them! But a plein air painter or sketcher has to consider the most portable and lightweight options when traveling, and especially when dealing with the airlines, and oils don't always fit the bill.
Typical plein air travel gear can include:
Easel or pochade box with attached tripod
Paints
Painting medium
Paint Thinner (for oils- best to buy this at the destination if possible)
Brushes and palette knives
Hat and rubber gloves (optional but I am a messy painter)
Canister for paint thinner (for oils) or water (for other water media)
Small spray bottle filled with water (for water media)
Paper towels
Plastic bag for trash
Bug spray and sunscreen
Bottled water
Small sketchbook and pencils (for working out compositions)
Camera
Painting surfaces (canvas, panels, papers, etc.)
Wet panel carrier (for oils)
Other optional supplies might be:
View finder (a little tool for determining your composition on the fly)
Portable chair or stool
Extra bungees and weights (for weighting your easel on a windy day)
Umbrella
A rolling case or dolly to cart all of this stuff around!
By no means am I saying that all of these supplies are required. Some watercolorists get by with two brushes, a watercolor block, sketch pad, a small container, some pens and pencils, and 3 to 5 paint colors, all stashed in a backpack. I think it is all what one feels comfortable with. A studio painter usually has more "stuff" within arms length, and paring down requires some effort and acclimation. I have done both studio and plein air painting, so I feel pretty comfortable with both. Even so the temptation is to bring more (maybe too much) stuff "just in case I need it". I'll try and post my painting kit here once I've figured it out.
-Jennifer Young; Vibrant Landscapes
www.jenniferyoung.com
Contact
Today I am playing with some art supplies so that I can determine what to bring with me down to Key West. If I had no limitations I would just bring my oils and easel, because in my opinion there is just nothing like them! But a plein air painter or sketcher has to consider the most portable and lightweight options when traveling, and especially when dealing with the airlines, and oils don't always fit the bill.
Typical plein air travel gear can include:
Easel or pochade box with attached tripod
Paints
Painting medium
Paint Thinner (for oils- best to buy this at the destination if possible)
Brushes and palette knives
Hat and rubber gloves (optional but I am a messy painter)
Canister for paint thinner (for oils) or water (for other water media)
Small spray bottle filled with water (for water media)
Paper towels
Plastic bag for trash
Bug spray and sunscreen
Bottled water
Small sketchbook and pencils (for working out compositions)
Camera
Painting surfaces (canvas, panels, papers, etc.)
Wet panel carrier (for oils)
Other optional supplies might be:
View finder (a little tool for determining your composition on the fly)
Portable chair or stool
Extra bungees and weights (for weighting your easel on a windy day)
Umbrella
A rolling case or dolly to cart all of this stuff around!
By no means am I saying that all of these supplies are required. Some watercolorists get by with two brushes, a watercolor block, sketch pad, a small container, some pens and pencils, and 3 to 5 paint colors, all stashed in a backpack. I think it is all what one feels comfortable with. A studio painter usually has more "stuff" within arms length, and paring down requires some effort and acclimation. I have done both studio and plein air painting, so I feel pretty comfortable with both. Even so the temptation is to bring more (maybe too much) stuff "just in case I need it". I'll try and post my painting kit here once I've figured it out.
-Jennifer Young; Vibrant Landscapes
www.jenniferyoung.com
Contact
posted by Jennifer Young at 9:39 AM
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